The latest by powerhouse artist-filmmaker duo Christine Molloy and Joe Lawlor picks up a thread from their last film THE FUTURE TENSE, a soulful investigation of Ireland’s tumultuous history. Here, using the form of a heist movie, they tell the true story of Rose Dugdale (played by Imogen Poots), a young heiress who rebelled against her English aristocratic upbringing to volunteer with the Irish Republican Army. In 1974, Dugdale and her collaborators swiped 19 paintings—including Rubens, Goya, and Vermeer—from a private home, using these treasures as leverage for the liberation of four IRA prisoners. Lawlor and Molloy’s highly atmospheric thriller plunges us into the Troubles with heart-stopping intensity, and Poots is riveting as the revolutionary. Beneath her radical facade, we see her fragility and inner turmoil, as she wrestles with appreciation for the beautiful artifacts of a world she has set out to destroy, and the fear of the chaos she has unleashed.
《巴尔的摩》是一部充满情感的电影，它让我感受到了爱情的美好，也让我看到了历史的沉重。
《巴尔的摩》这部的ImogenPoots的演技太出色了，她把RoseDugdale的痛苦和挣扎演绎得淋漓尽致，让人忍不住为她心疼。
巴尔的摩看了这部电影让我对爱尔兰的历史有了更深的了解，同时也让我看到了爱情的伟大。