Murayama Kaita, a Japanese painter, novelist and poet died in 1919 at the age of 22, leaving behind an impressive and time-defying body of work. In his most recent film, Sato Hisayasu offers a surreal, time-crossing, meta-layered essay on the artist, his originality and his legacy. Dear Kaita Ablaze brings together a young woman Azami obsessed with Murayama's painting, a young man Saku, who can hear unusual frequencies and claims to be Murayama or his spiritual imprint and a quartet of young performers with psychic abilities. They bond over Murayama’s work which they recreate in performative dance while driving to a mysterious cave called Agartha. Sato Hisayasu (The Eye's Dream, Muscle, The Bedroom), renowned for his pinku and exploration of madness and lust, returns to IFFR. Dear Kaita Ablaze is hyper-dense, obsessive and driven, effortlessly mashing surrealism with sci-fi and mysticism, layering seemingly unrelated events and encounters to bring them together in a monumental climax. – kijA 源自：https://iffr.com/en/iffr/2024/films/dear-kaita-ablaze
看燃烧的槐多啊的时候，我觉得自己像是穿越回了那个艺术盛行的年代，那种氛围真是让人着迷。
电影的剧情真是环环相扣，让人猜不透接下来会发生什么，燃烧的槐多啊，是一部充满悬疑的电影。
电影中的美术设计真是精美绝伦，燃烧的槐多啊，每一个镜头都像是艺术品。